Check out a reader review of Prometheus from Germany

While most of the world may be thoroughly sick and tired of talking about Prometheus, some countries are only just getting to see the movie.

One such nation is Germany, where the movie was released last week. One of our German readers, Michael Buch, got in touch to offer his thoughts on the film, including how the long wait – and inherent temptation to seek out spoilers – may have affected his enjoyment.

Take it away Michael:

I had read a lot about the story before actually watching the film – yes, I spoiled myself, because I couldn’t wait for it to open here.

That, and all the viral marketing on the web let my expectations increase dramatically, and finally I wasn’t too sure if the film could actually deliver.

I’m a huge fan of the “Alien” franchise since I’ve first seen “Alien” back in the 80s (actually, I’ve even been a fan before ever seeing it, because I had the novel way before I was allowed to watch the film). I’m a big fan of Ridley Scott’s work, too, “Blade Runner” being one of my other all-time favourites. So, naturally, I had very high hopes for “Prometheus”.

So was it what I hoped it would be?

I’ll try to write something about the different elements of the film:

Story and characters:

Well, it was epic after all. I really loved the opening scenes with their mystic background and breathtaking photography. Sadly, some later parts of the movie couldn’t hold up against this epic opening. I really loved that the writers picked up some original story elements from the first “Alien” that were dropped back in 1979, for example the alien pyramid, which was originally planned to be next to the derelict in the original film.

Unfortunately, the film could not keep the dramatic greatness of its opening moments for the complete length of its running time, as it got lost in the more typical monster-and-mutation-stuff, which is not necessarily a bad thing, as I obviously love monster movies. I would have loved to get more background on the “Engineers”, their true objectives and motives. I hope these things might get a bit more detailed in a possible sequel or an extended cut.

When I watch this kind of movie, I don’t need every character completely fleshed out, but some of the characters in “Prometheus” were a bit too one-dimensional in my opinion. You didn’t get to know everybody, and sometimes it was a bit confusing who was still alive and who had already been killed. I loved the main characters, especially Captain Janek. Sadly, his screen time was rather short, so let’s hope for an extended version with more Janek.
The characters of Milburn and Fifield seemed a bit strange to me, as they didn’t act like trained scientists but more like some kind of idiots, and I couldn’t really feel sorry for their gruesome deaths. More or less, you could not really care about most of the characters due to poor writing and missing characterisation.

Sometimes the film was missing a bit of suspense. Maybe that’s because I already knew a great deal about the story and what was going to happen next, but then again, I’ve seen “Alien” and “Aliens” nearly a hundred times and I still feel more emotionally involved with their stories than I did feel with “Prometheus” and its characters. But maybe the film has to grow on me, I will definitely give it another chance.

Technical:

Ridley Scott knows how to create great images, and I had nothing to complain about the technical aspects of the film. In fact, I loved the photography and the sets, as they felt “home” for an old “Alien”-fan, even if the ship looked not as old and creepy as the “Nostromo” interiors. I’ll have to mention Marc Streitenfeld’s score, as I really loved it. Great opening theme and over all a good musical score. I really liked the little musical homage to Goldsmith’s “Alien”-score when Peter Weyland was first introduced at the crew briefing sequence. That put a big smile on my face. I also liked the fact that most of the creature effects were done for “real” with animatronics and puppets, and CGI was not overdone.
Connections to “Alien”

So…prequel or not? Sometimes I had the feeling that the writers desperately wanted to put certain elements of the original movie into “Prometheus”, for example the last survivor running around or the closing lines.

Bottom line:

Maybe my expectations have been too high.

“Prometheus” is not a bad film and I’m still thinking about it, which is a good sign. Overall, it was a nice experience at the theatre, a visually stunning trip back to the “Alien”-world, and I quite enjoyed the ride. But then again, I really would have liked to get more information about the Engineers, more character background and not that many plot holes.

I’m looking forward to watch it again, as I think it’s a film that has to grow on its audience.

Our thanks to Michael for the well thought-out review. If you have an opinion on Prometheus, or anything else related to the Alien franchise or Ridley Scott, why not write your own piece, and we’ll publish it here.


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More Prometheus extra features confirmed, including *35 mins* of deleted scenes!

The BBFC have again been busy rating more special features for the Prometheus home video release.

Most exciting in latest bunch is a collection of deleted and alternate scenes, totalling just under 35 minutes. They are as follows:

  • ARRIVAL OF THE ENGINEERS – 2m 31s
  • T’IS THE SEASON – 0m 58s
  • OUR FIRST ALIEN – 0m 42s
  • SKIN – 0m 42s
  • WE’RE NOT ALONE ANYMORE 1m 22s
  • STRANGE BEDFELLOWS – 2m 57s
  • HOLLOWAY HUNGOVER – 1m 25s
  • DAVID’S OBJECTIVE – 23s
  • JANEK FILLS VICKERS IN – 3m 27s
  • A KING HAS HIS REIGN – 3m 40s
  • FIFIELD ATTACKS – 2m 01s
  • THE ENGINEER SPEAKS – 4m 6s
  • FINAL BATTLE – 5m 30s
  • PARADISE – 5m 5s

So, there are some pretty lengthy scenes in there, with intriguing titles. It looks like we’ll get to see the original opening with the ‘Elder Engineers’, the original Fifield creature design (both as seen here), more of David’s chat with the ‘Last Engineer’, an extended version of Shaw’s fight with the engineer, and an perhaps a better glimpse at where the sequel may be headed.

On the other hand, as these scenes would seem to fill in many of the blanks, I’m not sure what else may be left for an extended cut, which has itself not yet been confirmed…

There are also a collection of featurettes, TV spots, trailers and trailer teasers:

  • SPACE TRAVEL – 2m 12s
  • ITUNES TOMORROW – 0m 29s
  • ITUNES 2 DAYS – 0m 29s
  • ITUNES 3 DAYS #1 – 0m 29s
  • TV SPOT: TRAILER ANNOUNCEMENT – 0m 19s
  • INT’L TRAILER E CUTDOWN SOFT – 0m 58s
  • A FILM THIRTY YEARS IN THE MAKING – PROMETHEUS – 1m 33s
  • 23 x TV SPOTS – 10m 54s
  • VISION OF PROMETHEUS – 2m 18s
  • PROMETHEUS – FIRST LOOK – 11m 31s

We’ve added all of these to this page here, which we’ll keep up to date as new features are confirmed.

Don’t forget you can pre-order Prometheus now via our UK and US stores!


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Original Alien animatronic creator Carlo Rambaldi dies, aged 86

Animatronics pioneer Carlo Rambaldi has died at the age of 86, after a long illness.

Rambaldi, who was born in north-east Italy attended Bologna’s Fine Arts academy, before entering Italy’s film industry. Uber-producer Dino De Laurentiis who spotted Rambaldi’s talent and employed him to work on his remake of King Kong. While the movie was a failure, Rambaldi won an Oscar for his work, and and was soon part of Hollywood effects royalty.



He is perhaps best know for his work on Steven Spielberg’s ET, but for real fans of sci-fi and horror, Rambaldi’s name will be forever linked with the first Alien movie. While HR Giger’s designs broke new ground in creature design, it was Rambaldi’s animatronics that brought the creature’s face to horrible, disturbing life, again winning him an Oscar.


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Grab yourself this great set of Alien head busts from Sideshow Collectibles!

The incomparable Sideshow Collectibles have a great item available at the moment – this quartet of Alien head busts from each Alien movie, available for a very reasonable $84.99

Crafted in approximately 1:8 scale, each bust stands approximately six inches tall and is individually painted and finished, each with its own unique quality and detail that is the trademark of a handcrafted Sideshow Collectibles product. The Alien Bust Set is the perfect addition to any sci-fi or Alien legacy display.

Check out the images below, and click here to order your set now!


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*UPDATED* – Prometheus marketing hits Japan ahead of August 24th release

*UPDATED WITH VIDEO*

Incredibly, Prometheus has still not been released in a handful of countries.

This week the movie hits Germany, Austria and Switzerland, followed by Japan on the 24th of August, and Italy on the 14th September.

Following the marketing ploy used in Paris, Fox in Japan took over a disused subway station to advertise the movie there.

Here’s a video and a few photos of the display being set up:

Thanks to seeasea for the link!


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Some additional extra feature details confirmed for the Prometheus Blu-ray/DVD release

Another new extra feature has passed classification at the UK’s film and video ratings board, the BBFC.

Titled “PROMETHEUS: SCREEN TESTS: COSTUM/MAKE-UP/HAIR TEST WITH OPTIONAL COMMENTARY BY THE CAST”, this piece has a listed running time of 10m 58s.

It looks like this is the same as the costume tests previously classified, but with the addition of an audio commentary.

Accordingly, I have updated the list of special features with the new details:

  • PROMETHEUS – ENHANCEMENT PODS – Running time 63m 16s, consisting of:
    • THE TITLE CONUNDRUM
    • PROMETHEUS: THE BOARD GAME
    • SEXBURSTER
    • KNICK KNACKS OF TOMORROW
    • FUN WITH MOLECULAR GASTRONOMY
    • BUILDING BETTER LOGOS
    • MAKER’S MARK
    • THE AMPULE SHOPPE
    • LANGUAGE OF THE GODS
    • FIRST EXPOSURE: ALIEN
    • BODY MECHANICS: TRILOBITE
    • XENOMORPHOLOGY: THE DEACON
    • CONSTRICTIVE CONSTRUCTION
    • CHAIR FETISH
    • ONE DAY IN AFRICA
    • LOCATION: ICELANDTHE ART OF TERRAFORMING
    • BATTLE OF THE PLANETS: LV-223 VS. LV-426
    • ALL THINGS HOLOGRAPHIC
    • WEYLAND’S WET DREAM
    • THE CASE OF THE FANFIC FAKE
    • MERGING RIDLEYVERSES
  • THE STORY – PROMETHEUS – Running time 3m 11s
  • REVERSE ENGINEERING – USCSS PROMETHEUS – Running 15m 36s
  • PROMETHEUS – PRE-VISUALIZATIONS – Running 24m 26s, including:
    • PROLOGUE
    • DISCOVERING THE PLANET
    • MED-POD SEQUENCE: PG-13 VERSION
    • MED-POD SEQUENCE: R VERSION
    • AWAKING THE ENGINEER
    • PROMETHEUS VS. JUGGERNAUT
  • PROMETHEUS – SCREEN TESTS (X2) – Running 20m 28s, consisting of:
    • NOOMI RAPACE SCREEN TEST
    • HAIR/MAKEUP/COSTUME SCREEN TEST – With optional audio commentary
  • PROMETHEUS – PETER WAYLAND FILES – Running 17m 58s, and consiting of:
    • QUIET EYE: ELIZABETH SHAW
    • VIRAL VIDEO: PROMETHEUS TRANSMISSION
    • VIRAL VIDEO: HAPPY BIRTHDAY DAVID
    • VIRAL VIDEO: TED CONFERENCE 2023
  • PROMETHEUS UNBOUND: POST-PRODUCTION AND RELEASE – Running 29m 26s
  • There are also a selection of brief talking head clips with the cast about their characters

Don’t forget you can pre-order Prometheus now via our UK and US stores!


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Damon Lindelof talks about the Prometheus viral campaign and Twitter criticism

The Wall Street Journal’s Speakeasy blog caught up with Damon Lindelof, who told them about the genesis of the Prometheus viral campaign and his use of Twitter.

You can read the whole thing here, but there are a few snippets below:

How did you come up with the idea for these viral videos?

I was working on the script and the story with Ridley directly and this guy Michael Ellenberg who is a producer on the movie. Ridley was aware of “Lost” but Michael was a watcher of it, not just the show, but a lot of the stuff we did virally between the seasons, and the courtship of the fanbase primarily through events like Comic Con. I was aggressively tweeting by the last season of the show, so he understood the idea of a two-way street. He made it clear that Ridley wouldn’t be engaging in any of that, not for lack of caring what the fans thought. He doesn’t have a Twitter handle or even an email address…but he was open to the idea of engaging with the fan base and so the big question that emerged out of the gate was: What is this movie’s relationship to the original “Alien”? Is it a prequel? How is it a prequel? Is it an entirely original movie?

I thought that instead of us answering questions in mainstream media, was there a way to control the story by releasing content before the movie that just isn’t the trailer. They were like “What do you mean?” I said, “We can do some cool viral stuff.” And the best viral content stars the actors, the stars who are actually in the movie. I thought if we could talk Michael Fassbender into doing this, or Guy Pearce, that would be awesome. But we are going to have to have these ideas figured out by the time we are shooting the movie because that’s when we have those actors.

Do you think movie marketing is become more of a conversation?

Yes. That’s why we designed the content the way we did. Weyland’s TED talk is a talk to an audience, and the audience is a proxy for the audience that’s watching it. The “David 8” spot is a commercial, not for “Prometheus,” but for a robot you can’t actually buy. Sometimes when you put content out there and it’s just a scene from the movie it’s exactly the same experience you’d get in a movie theater. But I do think people, particularly when it comes to viral content, like content that’s talking directly to them, creating that level of interactivity.

I noticed that you’ve been responding mostly to negative comments [on Twitter] — do you like to do that?

I am amused if somebody says something cleverly negative about it. The mean negatives, there is nothing pleasant about that experience whatsoever for me. I try to not address it unless it’s so horrible that I feel the need to tell everybody who follows me, “Just so you know, there are people out there who says this.” If somebody says something positive it’s something I want to keep to myself.

Were you prepared for the opening results?

The tracking that they had been presenting me was well short of what we did opening weekend. I don’t know if they were just hedging, but I think between the R rating and opening against “Madagascar.” It was always “Madagascar” was going to win the weekend. So, $30-35 million was what they were hoping for…when they did $50 [million] I was surprised.

Prometheus is directed by Ridley Scott, from a screenplay by Damon Lindelof and Jon Spaihts. The film stars Noomi Rapace, Michael Fassbender, Charlize Theron, Guy Pearce, Idris Elba, Sean Harris, Rafe Spall, Logan Marshall-Green, Patrick Wilson and Kate Dickie, and is now on release around the world.


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Creature designer Neville Page discusses his work on Prometheus and… wait a sec…. Blade Runner?

Wired caught up with creature designer Neville Page, who discusses his work on several recent projects, including Prometheus, and, in the final seconds, the Blade Runner sequel.


It’s clear that Scott has a trusted circle of creative collaborators that he takes with him from film to film, including cinematographer Dariusz Wolski, production designer Arthur Max, editor Pietro Scalia, and costume designer Janty Yates. It seems Page can now be added to that exclusive club!

Thanks to seeasea for the link!


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A few new Prometheus images added to our gallery page

We’ve just added five new images to our Gallery page, which you can see below and here.

Click to enlarge.

Thanks again to seeasea for the info!


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Ridley Scott and Michael Fassbender spotted on location in London for The Counsellor

Twitter user Abhi Patel spotted director Ridley Scott and star Michael Fassbender out on location in London today on their new movie, The Cousnellor.

Here’s the photo she manage to snap (click to enlarge):


The Counsellor is directed by Ridley Scott from a screenplay by Cormac McCarthy and stars Brad Pitt, Michael Fassbender, Cameron Diaz, Penelope Cruz and Javier Bardem, and is due for release in 2013.


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